Demented / work

"What a strange, demented feeling it gives me when I realise I have spent whole days before this inkstone, with nothing better to do, jotting down at random whatever nonsensical thoughts that have entered my head."

(Kenko, from Tsurezuregusa / The Book of Idleness )

Before I left, I made sure the hut roof was fixed for Morven's couple of months coming and going while I'm away. I went further than I had intended (don't we always in such things?) and fixed all the gulleys where roofs meet at angles, not with bitumen felt but with tin. It was old tin sheets stored here (not by me, nor by the priest who had this hut once); small: maybe 18 inches by 2 feet. Overlapped, they are better than slate. I sat on the roof and snipped each one individually to shape and bent it with a straightedge into its position before using roofing nails. Nail heads tarred. The plates I'm certain came from a long gone shipyard on the Clyde at Clydebank. Now at their work again of keeping water out.

Sweeping

The hut is a place of solitude set among trees: birch mostly, but maples too, as well as ash and oak.

The equinoctial gales, quiet at the moment, have blown the early autumn leaves under the door. The first of these, as ever, are the small postage stamp birch leaves.

I sweep them through the open stable door of the kitchen, out where they belong, in the curl of wind and pulldown of earthworm.

My broomstick is a fine ashplant I rescued from a Glasgow University skip many years ago, along with two iron tipped bamboo javelins. One of those became a curtain pole in a Maryhill flat. The broom handle, painted for some reason in gold, serves still, a dozen years later.

Things come to rest here.

The gold of the handle is faded by use as the lit birch leaves I sweep.

There is no wisdom offered here from the maple or the birch.

As my friend Barry Graham has said: when we are open to wisdom, leaving ourselves behind, we see it’s there all the time.

It might arrive at a place like this, ringed by trees.

Wisdom fleeing like birch leaves in autumn gales and settling.

Wisdom might be found while sweeping.

An oak tree for David Keefe / Manjusvara 1953 - 2011

Two short poems and a set of instructions.

spitting rain

drinking Assam

*

bathing

among broom blossoms

*

The oak sapling is potted up. It can be planted any time: in an open space, unshaded. It will need plenty of room; one day it will be eighty feet tall and fifty feet round, snarled, stag-horned.

I pocketed the acorn six years ago in Sunart, stratified it over that first winter, then put it out in spring. It germinated. I remember the pleasure of the first two leaves. It grew on at Carbeth inside the cage I made to protect one of the apple trees from deer.

With the oak tree, which I’ve marked with a red ribbon for collection, I’ve left chick wire. Cut five stakes – it’s a better number than four – at least three times longer than the height of the oak sapling. Surround the sapling with these stakes, driven into the ground one third their length. At the centre dig a hole twice as wide and twice as deep as the little oak tree's roots. At its bottom, if you have some, put a little well-rotted manure or compost. Cover this with earth from the hole. Tap the sapling from its pot, tease out its roots and spread them out over the replaced earth. Cover them with more earth, taking care to leave the level of earth around the sapling’s trunk where it was in the pot. Heel carefully around the stem; enough to firm the soil around the roots without compacting it. Water plentifully; this will help settle roots and give a good start. Do not stake the oak itself. It is wild and knows better how to cope with wind than we do.

String the chick wire around your stakes and secure, leaving no gaps anywhere for a hungry deer’s nose or teeth. Ensure that a deer cannot reach over your chick wire. If you are troubled by rabbits, a little home-made trunk collar should be enough. Easily made from a plastic milk bottle. It should not deter growth. Just enough to stop rabbits eating the bark.

In its first spring in its new home: perhaps a top dressing of blood and bonemeal.

Bow to the tree; wish it well. Watch it grow.

The oak came and went from Carbeth. I remember the last time we went from the hut, me driving through Maryhill, listening to you and Larry, speaking loudly because of your failing hearing: Three men in a car; you both shouted at me in unison: you just went through a red light. So I did. So I did. Memories grow fond and slowly, like trees.

The Lean-to Glasshouse

I think it was in 2005 or thenabout that Rokpa House, a Buddhist Centre in Glasgow was having its windows replaced. Rokpa House is an early Victorian town house with high ceilings and tall windows. At that time there were perspex secondary glazing panels, which were unwieldy and difficult to open and close. When the fully double glazed windows were fitted, I took the old panels to the hut at Carbeth. I knew they would be useful.

Last year, another house was being refurbished, this time in Helensburgh: a Georgian house, again with high ceilings and tall windows. The secondary glazing – and it was glass – was being removed, together with a glass panelled door.

Thus, after only seven years, I had the basis for that long planned glasshouse. The Helensburgh panels, eight feet by two feet will fit against the gable end of the hut; the door will be, well the door (although transported safely the twenty miles from Helensburgh to the hut in a rattling hired transit van unscathed, on unloading, the west wind took the door and stove in the single glass panel – it needs to be replaced); the Rokpa perspex panels will form the lean-to roof.

The framing timbers are all worked out, there will be plenty of reclaimed wood for the shelving: tomatoes and peppers, maybe a grapevine – the delights of planning a crop free from the grazing of deer is to be savoured.

Hard against the hut gable end in a whisky half-barrel, oak, but now disintegrating with age, someone, many years ago planted a then probably exotic Lawson’s cypress. Now overgrown and threadbare, I had pruned it to thicken some years ago, but that didn’t really work. Though it did provide me with some fine “grotches” as one of Thurber’s characters calls them (“by and by we go hunt grotches in the woods”, he says, much to Thurber’s bafflement): I know he meant forking branches that will hold up a clothesline, or make a thumbstick.

So the old cypress will come down for the glasshouse. It stood for perhaps fifty years and is in the wrong place, shading the hut kitchen window. In this over-temperate climate, we need all the light we can get.

But not yet. Though everything is in place for the glasshouse, this year for the first time, a blackbird has built her nest in the cypress, balanced in a grotch and looking pretty unstable to me, but nevertheless a nest has been built. She sits (or is there a pair?) on the eggs. Until they are hatched, and the chicks fledged, I can do nothing. With two weeks or so for hatching, a further two weeks or so for fledging and maybe three broods a year, the nest should be finally empty some fine day in late July. Maybe August.

The glasshouse would be very useful now, but the blackbird’s eggs and chicks outside the hut-kitchen window at eye level are rare and precious things, cheering me on while brewing the morning Assam in a way that even the imagined growth of tomatoes would never achieve.

A moment in time

http://www.bbc.co.uk/programmes/p00nw33m